Redline
There are those in the world who write about the career of Rutger Hauer in much the same way that other people write about the film career of Elvis Presley, the general approach being one of “ain’t...
View ArticleSplit Second
By the time the 1990s rolled around, I think everyone had given up on Rutger Hauer becoming some awesome super cool megastar, and “everyone” included Rutger Hauer himself. On the one hand, that’s too...
View ArticleArmageddon: The Final Challenge
Movies try to evoke a wide range of emotions and reactions from their viewers. Shock, delight, sadness, joy, despair — in the century or so that humans have been making movies, the bag of tricks film...
View ArticleCyborg
A storied writer, or possibly a drunk (oh, who am I kidding — there’s no difference), once said of a particular piece of writing that it was a mirror: when a monkey looked in, no philosopher looked...
View ArticleCultural Gutter: Cyberpunk for a Cyberpunk World
Time to Frolic Afield once again for my monthly article on The Cultural Gutter! As a fan of cyberpunk from the 1980s, I often wonder if there’s any decent example of the genre that makes sense in what...
View ArticleCultural Gutter: Neuromancin’ with Myself
On Cultural Gutter, I’m Neuromancin’ with Myself: The early 1990s was also when I read Neuromancer. I read it enthusiastically, devoured every word, and fell in love not so much with the story but...
View ArticleCultural Gutter: Kungfu-Powered Afrocyberpunk Pulp
On The Cultural Gutter, Kungfu-Powered Afrocyberpunk Pulp is a look at Steven Barnes’ 1983 novel Streetlethal, which is sort of cyberpunk meets Mack Bolan starring Luke Cage in a story about magic...
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